TABLE OF CONTENTS
Adèle Cassigneul et Elsa Cavalié
Introduction : Ian McEwan’s Sensationalist Impressionism
Pascale Tollance
The In(de)finite Object of the Gaze : Reading Ian McEwan’s Atonement with Henry James’s Turn of the Screw
Solène Camus
Monstre(s) et monstration : vers une poétique du visuel dans Machines Like Me, de Ian McEwan
Cécile Beaufils
“I see us from three hundred feet up” : The Eye and the Mind in Enduring Love, Atonement and Machines Like Me
Héloïse Lecomte
Composing a Visual Elegy ? S/cenographies of Loss and Recovery in Ian McEwan’s The Child in Time
Maxence Gouleau
“The rest is silence” : Picturing the Unseen in Nutshell
James Dalrymple
“My city square, city square” : Windows and Spectatorship in Ian McEwan’s Saturday